Let’s be real: this release consists of some of the best beats of the year (okay, last year, most of them) and underlines the peerlessness of Clams’ hazy, sonorous craft it clarifies his prolific intent into a streamlined compilation, in much the same way as Instrumental Mixtape (2011) did before it. A part of me feels bad for how I relate to Clams Casino’s second instrumental mixtape.
